A filmmaker’s silent cut of the everyday, the series folds the ambient glow of commercial ephemera into a polyphony of editorial, multi-channel, multi-voice, and multi-media streams. Through avant-garde and narrative filmmaking strategies, it reframes seemingly incidental cinema, routine gestures, passing moments, into a layered visual language of intimacy, rupture, and quiet resistance to the banal. As fragments of collective experience are reassembled, the familiar begins to feel unstable, then uncanny, until the work reveals itself as a kind of waking dream, a cinematic dream sequence, almost in real time, in which living becomes enchantment, and the world, momentarily, feels charged, porous, and alive.