Vera Maurina Press
Founded
by
Saul
Appelbaum
in
2014
Appelbaum holds a Bachelor of Fine Art from the School of the Art Institute of Chicago, a Master of Architecture from Cornell University, and a Master of Fine Art from the University of Chicago. He has worked with Harper’s Bazaar, Serpentine Gallery, ASICS, Marian Goodman Gallery, Elle, Tony Cragg, The Broad Museum, FGP Atelier, Museum of the African Diaspora, Heidi Klum, The Scottsdale Museum of Contemporary Art, InStyle, Critical Inquiry, the Kunstmuseum Bern, Grazia, Snoop Dogg, Adam McKay’s Yellow Dot Studios, MAK Center for Art and Architecture,The Jewish Federation, Zión Moreno, Petzel Gallery, Kohn Pedersen Fox Associates, Nato Thompson’s The Alternative Art School and Dreaming in Public, Perry Ellis, The Visionaries Agency, Atlanta Art Fair, Mick Jenkins, TRANSFER Gallery, Ann Hamilton, The Columbus Museum of Art, de Sarthe Gallery, TCAmgmt, Diego Boneta, Rocco Castoro’s SCNR, L’Officiel, Hirmer Verlag, Kids of Immigrants, Natalia Reyes, Vogue, The Singapore Art Museum, Numéro, and Pope.L.
(Capabilities)

Experience

(01)

Strategy

Research and development of multimedia, multivoice, and multichannel strategies and tactics for marketing and communications

(02)

Direction

Lead teams of writers, video directors, photographers, designers, and artists to make poignant, powerful, and sometimes provocative digital media assets

(03)

Management

Web, email, and social media management and ongoing creative and intellectual labor for partners with strong aesthetic and cultural overlaps with The Pioneers

(04)

Consulting

Guidance for crafting a vibrant, cohesive, and relevant digital presence coupled with business operations and a cross-platform distribution plan

(05)

Publishing

Regular contributions to well established serial publications, and self-publish our biannual E-Zine sent to 40k+ people in art, fashion, beauty, film, entertainment, music, architecture, design, and advertising

(06)

Agile Cinema®

‘Agile development’ for software builds a minimum viable product, tests in the wild, learns, either iterates or pivots, and repeats. Agile Cinema® does the same while fluidly moving between fiction [imaginary], non-fiction [fact], scripted [acting], unscripted [reality], pragmatic [commercial], and out there [arthouse].

On finding a footing