A poster for the film with Natalia Reyes, made in connection with We Breathe the Same Air, joins another morphology painting. The surface begins as a shaped, three-dimensional structure, receives paint, submits to gravity, and is eventually flattened. Its final geometry retains the memory of its former volume. Film stills from the ASU FIDM project enter alongside a drawing developed for an alternative education initiative with Marian Goodman Gallery. The movement between material experimentation, fashion history, and education suggests another possibility for painting: its composition extends into the transmission of ideas. A surface holds the evidence of its transformations, while the relationships surrounding it continue to grow.

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presence ⟶ performance ⟶ embodiment 🎭  
gesture / intention in motion 🚶‍♀️🚶‍♂️  
voice as medium 🎙️  

character ≠ mask but interplay  
scene / frame / cut ⟶ meaning 🎬  
repetition / variation ↻  

vulnerability <> strength 💥  
rhythm / pause / breath 🧘‍♀️🫰  
intensity ↔ release  

body / voice ≈ agency ✨  
movement as language 🌀  
the everyday staged  
      alive 🌟