| EPISODE 3: DERIVATIVE AND NOT WITHOUT DYSFUNCTION || A.1: EPHEMERA |

Act

A.1: Agile Cinema® as Iterative Mythology in Three Episodes. Agile Cinema® adapts the iterative logic of software development to moving image and cultural production—not to replicate its tools, but to recode its spirit. Here, the prototype is not a product but a proposition. The method is not linear but recursive. Agile Cinema® works with fragments: media elements that slip between fiction and document, speculation and strategy, fantasy and form. It begins with ephemera: unfinished images, partial scripts, circulating gestures—each activated differently in each context. A collage might serve as a cinematic relic, a commercial provocation, or a ritual object. Nothing is fixed. Meaning migrates. Form is promiscuous. This is not media-as-message—it is media-in-motion. Act 1 unfolds through three episodes—stylized transmissions that test how image behaves when routed through different cultural operating systems. Each episode is a site of reformatting: where cinema stretches across domains and disciplines, and where circulation itself becomes a medium of meaning.

Episode

Ep.3: Derivative and Not Without Dysfunction. The final episode returns to the architecture of the art world—not as neutral backdrop but as operating system. Museums, foundations, biennials—they don’t just exhibit images, they produce them. Images arrive layered: palimpsests of prior shows, brands, captions, walls. Representation is no longer origin—it’s a recursion. Here, dysfunction becomes method. The image fails to cohere. The frame wobbles. The work refuses to align with institutional legibility. It glitches against clarity. This is not breakdown—it’s strategy. A refusal to play seamlessly within the spatial ideologies of contemporary cultural display.

Information

Double-Sided Collages | 4 x 4″ | 8 x 8" | 20 x 20" | 36 x 36"

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