| EPISODE 3: DERIVATIVE AND NOT WITHOUT DYSFUNCTION || A.1: EPHEMERA |

Act

A.1: Agile Cinema® as Iterative Mythology in Three Episodes. Agile Cinema® adapts the iterative logic of software development to moving image and cultural production—not to replicate its tools, but to recode its spirit. Here, the prototype is not a product but a proposition. The method is not linear but recursive. Agile Cinema® works with fragments: media elements that slip between fiction and document, speculation and strategy, fantasy and form. It begins with ephemera: unfinished images, partial scripts, circulating gestures—each activated differently in each context. A collage might serve as a cinematic relic, a commercial provocation, or a ritual object. Nothing is fixed. Meaning migrates. Form is promiscuous. This is not media-as-message—it is media-in-motion. Act 1 unfolds through three episodes—stylized transmissions that test how image behaves when routed through different cultural operating systems. Each episode is a site of reformatting: where cinema stretches across domains and disciplines, and where circulation itself becomes a medium of meaning.

Episode

Ep.3: Derivative and Not Without Dysfunction. The final episode of act 1 returns to the architecture of the art world—not as neutral backdrop but as operating system. Museums, foundations, biennials—they don’t just exhibit images, they produce them. Images arrive layered: palimpsests of prior shows, brands, captions, walls. Representation is no longer origin—it’s a recursion. Here, dysfunction becomes method. The image fails to cohere. The frame wobbles. The work refuses to align with institutional legibility. It glitches against clarity. This is not breakdown—it’s strategy. A refusal to play seamlessly within the spatial ideologies of contemporary cultural display.

Information

Double-Sided Collages | 4 x 4″ | 8 x 8" | 20 x 20" | 36 x 36"

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