| EPISODE 4: VERA MAURINA PRESS || A.2: NARRATIVE FIELDWORK |

Act

A.2: Cinema as Relationship, Not Reportage. Agile Cinema® enters the terrain of cultural historiography not to document the present, but to dwell inside its unfinishedness. Borrowing Phil Graham’s phrase—"a first rough draft of history that will never really be completed"—this act refuses closure in favor of encounter. Here, media is not mined from subjects but co-authored through time. Interviews, micro-films, and speculative portraits emerge from months of shared process—gestures of mutual recognition that resist the flattening speeds of the algorithmic present. This is counter-cinema: slow, dialogic, relational. A refusal of the churn. A wager on presence. Across four episodes, Narrative Fieldwork sketches a poetics of media as care, as score, as critical reflection, and as fashioned encounter.

Episode

Ep.4: Vera Maurina Press. Not quite a press, not quite a platform—a fugitive imprint named for a pianist who moved through mystic and avant-garde circles. Like Morton Feldman’s music, the work here unfolds in quiet notations: image-poems, fragmentary scores, chapbooks-as-collages. Each publication resists genre. Each gesture is intimate, unstable, incomplete. Publication becomes not dissemination, but invocation.

Information

Double-Sided Collages | 4 x 4″ | 8 x 8" | 20 x 20" | 36 x 36"

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